Tag Archives: WW100

Dean O’Gorman’s Nurses Featured in Media

Our previous blog post featured the work of Dean O’Gorman, a New Zealand actor and photographer, whose photographic exhibition Passchendaele — The Elusive Familiarity of War is currently at The Great War Exhibition.

Dean feels very passionately about the First World War and went to great lengths to add a new photo to the current exhibition — a photo that would demonstrate the contribution of women to the First World War, and in particular at Ypres near Passchendaele.

Dean went to great lengths to create his new photo, which depicts women nursing wounded soldiers. He dug up  an Auckland farm to recreate the conditions that our troops may have experienced. The media covered Dean’s photo shoot in the New Zealand Herald online and also in the Cook Strait News, below.

 

Dean O'Gorman Great War Exhibition

Dean O’Gorman – Nurses at Ypres

Dean O’Gorman’s photographic exhibition, Passchendaele – The Elusive Familiarity of War, which is running until we close our doors on 2 December, received a new photo to commemorate the 101st anniversary of Passchendaele , ‘New Zeland’s darkest day’.

There is a story behind all of Dean’s photos hanging in our grand foyer. A story of passion and empathy for those who went through the trials and experienced the mud and suffering of Passchendaele.

To create his exhibition, Dean, an actor and photographer, recreated the muddy quagmire of the battlefield on an Auckland farm. As Armistice draws near, with its focus on healing and repatriation,  and to honour the contribution of  women, Dean made nurses at the front the focus of his latest photograph.

The New Zealand Herald have some excellent footage of Dean, giving us a tiny glimpse of what nurses may have done on the battlefield, here.

Dean’s video below shows us how the action may have been for men fighting in the Great War.  For more information about the exhibition, including a link to a documentary of Dean researching his ancestors, click here.

Click here to view Dean’s video. Dean O'Gorman's aet & photographic recreation of nurses at Passchendaele

Ian Wards, Exhibitions Manager, installs Dean’s new photo at The Great War Exhibition

Cecil Manson at Gallipoli – The End of The War?

How Gallipoli brought a British soldier to New Zealand

Wairarapa Times Age reporter Steve Rendle interviewed Hugo Manson, one of our participants in The End of the War? and found out how his British father’s experience at Gallipoli influenced him into emigrating to New Zealand.

This is an excellent article about how Cecil saw the war — with great insight into his personal experiences and the way they shaped his life, and the lives of his family members.

Gallipoli holds a special place in the history of New Zealand. Masterton’s Hugo Manson heard first-hand from his father what it was like to be there.

“In effect, Gallipoli was his first job . . . and within an hour of his first job, the soldier next to him was shot dead.”

Masterton’s Hugo Manson is talking about his father – or, more accurately, his father’s experience of the World War I campaign regarded as a key part of nation-building for New Zealand.

But Cecil Manson wasn’t fighting with the Anzac troops – his British 2nd 4th Queens Surrey Regiment was operating over the hill from the New Zealanders and Australians on the Gallipoli Peninsula.

“But he met a lot of New Zealanders, and he was terribly impressed,” Hugo Manson recalls. “He thought they had an extremely free way of treating things and treating people.

The article also discusses Cecil’s contribution to the second world war, which Hugo, at the time, had understood was ‘administrative’. It wasn’t until years later, that Hugo discovered his father had been involved Bletchley Park, a British code-breaking center during the Second World War. Click here to see The Wairarapa Times Age article about Cecil’s  Manson’s service and the effect it had on his family.

Enjoy our You Tube teaser of Hugo’s story.

An audio-visual exhibition,  The End of The War? looks at the war-time experiences of nine people – men and women, Māori and Pākehā, Pasifika and Asian – and explores how the impact of their experiences has stretched through the generations, connecting these long-dead New Zealanders to their families 100 years on.

The End of the War? is created by Story Inc. and Dusk, and funded by the Lottery Grants Board. To see The End of the War? and book a guided tour of The Great War Exhibition or a Quinn’s Post Trench Experience, please click here.

Tui Tararo talks about her Grandfather Frank Tararo

The End of the War?, our new audiovisual show, is an emotionally moving experience.

Hearing New Zealanders talk about the effect of the First World War on their families through the generations can bring  a tear to your eye. Many of the show’s participants had a journey of discovery in bringing to light the stories of their ancestors who served in the war effort.

Frank Tararao's granddaughter, Tui, talks about his service in WW1
Private Frank Tararao lost his arm in the First World War at the Somme, France. He was the only one of 500 enlisted soldiers from Rarotonga to return to his island.

But it wasn’t just soldiers who suffered. During the show, descendants of nurses, ambulance drivers, patriotic supporters and conscientious objectors share how the war affected their loved ones.

Tui Tararo, the granddaughter of Private Frank Tararo, from Rarotonga, says she hopes he would have been proud to see himself remembered. Frank was among 500 men who enlisted from Rarotonga, and the only one to return to his island from the war.

He enlisted in October 1915 and was sent with the 3rd Maori Contingent to Egypt, and then went on to the front line at Somme, France. Frank Tararo’s lower arm was shredded by shrapnel, and although he survived, his arm was amputated.

Read more about Tui’s perspective and Frank’s story below in the Cook Strait News or at Radio NZ’s website.

First World War Descendants -The End of the War?

The End of the War? our new exhibition, created by Story Inc. and Dusk, shows the effect of the First World War on New Zealanders, and features interviews with descendants of people who had a variety of roles in the war—soldiers, patriotic supporters, conscientious objectors, politicians and nurses.

Lois Wilson, Vic Singe and Felicity Siemmens are three of the descendants featured in the show.

Vic and Felicity are the grandchildren of Victor Sing, who was one of the four ‘fighting Sings’—New Zealand-Irish-Chinese brothers who fought at The Western Front and The Somme. The brothers, Herbert, Albert (known as Victor), Robert and Arthur, were all living in Grey Lynn when they enlisted.

Herbert was a signaller on telephone duty during a bombardment when the telephone wire was repeatedly broken. Each time, Herbert went out to repair the wire, under fire, to keep the lines of communication open. He was recommended for the Distinguished Conduct Medal for deeds of exceptional bravery.

During the production of the show, Vic and Felicity learned of a letter that Private Albert Sing wrote home about his brother Herbert’s death.

Private Albert Sing wrote, It was only a few weeks previous… that Herbert made a name for himself in a strafe. He was on duty at the telephone when the wire was broken on three different occasions…. He was a great loss to us all and his comrades, for he had many, and was well liked. But it’s hard, Mother, to bear our loss bravely.”

Felicity Siemmens and Vic Singe outside The Great War Exhibition, which is currently screening The End of the War?, a show about the effects of the First World War on New Zealand families.

As Vic says in the show, “He was a ‘Fighting Sing’ till the end for sure, you know. And brave as, going out there and doing it.”

Many participants in The End of the War? mention the effects of the First World War on subsequent generations. Felicity explains, “They had help with their physical wounds, but their psychological wounds really remained. And remained, perhaps, down through the generations.”

The show gave Vic and Felicity the experience of seeing their relatives honoured, and having their story acknowledged in a public space.

Felicity says, “Story Inc has provided our family with a unique opportunity to remember a grandfather and an uncle in a very special way. Albert and Herbert are now being remembered and honoured. It was an honour to pay tribute to an uncle we never knew in the flesh. Pretty amazing … information has come to light in this WW1 Exhibition and shone a spotlight on the past.”

Read more about the fighting Sings here.

Lois Wilson is the niece-in-law of Louisa Higginson who served as a nurse in the First World War. Lois recently visited to see the show. It was quite an emotional experience for her.

Lois says, “Louisa was given the position of being in charge of a prisoner of war camp and they were German prisoners.”

Louisa wrote home, “I feel so disgusted and ashamed to think I have to nurse the Huns. This is what I paid my fare and came 16,000 miles for. It is a beautiful place and should be used for our boys.”

Lois commented, “But she would do her duty. And she did.”

Lois Wilson and her daughter Glenys. Lois is the great niece of Louisa Higginson, who served as a nurse in the First World War. Hugo Manson is pictured behind them, right, holding a photo of his father Cecil who served in Gallipoli.

Nowadays, attitudes to war are different. “With the stories we heard, we just wondered why they went. I often think, even now, I doubt that the males of the country would think of going to war now,” Lois says in The End of the War?

Read more about Louisa Higginson here.

Kate Manson, the script writer for Story Inc, whose father Hugo Manson and grandfather Cecil Manson (who served at Gallipoli) feature in the show, says being involved in writing the scripts and seeing the final product was an emotional experience. “There was a real connection with their families, discovering their ancestors and their stories and acknowledging what they did.”

The End of the War? is showing at The Great War Exhibition until doors close to the public at 6pm on December 2nd 2018. Book your guided tour or Trench Experience here.

Great War Exhibition Closes 2 December 2018

The Great War Exhibition will now close to the public

at 6pm on 2 December 2018

You may have seen the recent media coverage  about our closure. The Great War Exhibition was always intended to be open for the duration of the centenary of the First World War. Recently, a possible lease extension was discussed, however, The Great War Exhibition will now close to the public at 6pm on 2nd December 2018.

For further information, please read the joint Ministry for Culture and Heritage and Massey University press release. TVNZ covered the closure here.

Dominion Museum Building to Return to Massey

Massey University will return to the Dominion Museum Building in 2019 following the closure of the Great War Exhibition after Armistice Day in November 2018.

The Ministry of Culture and Heritage and Massey University have come to an agreement that will enable the Exhibition to remain open for the Ministry’s planned Armistice Day centenary commemoration. The exhibition will close at the Dominion Museum Building at 6pm on December 2, 2018.

The Great War Exhibition was designed as a temporary exhibition, which would be open for the duration of the First World War centenary, Ministry for Culture and Heritage Chief Executive Paul James says.  “The Ministry appreciates Massey’s willingness to lease the building over the past four years to give people the opportunity to learn more about New Zealand’s First World War stories.

“We would also like to warmly thank the National Military Heritage Charitable Trust for their excellent work in running the exhibition and Sir Peter Jackson for developing the exhibition and lending his extensive collection of First World War artefacts and memorabilia.

“The Great War Exhibition has been an important part of the centenary programme.  It has been well-attended by the public and made a significant contribution towards the programmes objectives around connecting people with this important era of our history.

“More than 400,000 people have visited the exhibition since it opened in April 2015. We encourage the public to take the opportunity to visit the Great War Exhibition and the Trench Experience before it closes,” Mr James says.

Massey University Vice-Chancellor Professor Jan Thomas says the University was delighted to host the exhibition through an important period in New Zealand’s history.

Professor Thomas says the University community is equally happy and excited to again be able to showcase its world-class College of Creative Arts including the Wellington School of Design in such an impressive facility.

“This is a tremendous opportunity for the city of Wellington to share in the fantastic work being produced by our students and staff in the fields of fine arts, creative media production, commercial music, and design,” Professor Thomas says.

“The iconic Grand Hall has been the scene of numerous exhibitions, performances and events for decades and it will be wonderful to have such an outstanding asset back in action for the college, the wider Massey University, including the colleges of Business, Health and Humanities and Social Sciences, and the public.

“Overlooking the National War Memorial and Pukeahu National War Memorial Park, it occupies an important place in Wellington’s history and future. It is the front door for Massey University’s Wellington campus and will once again provide an outstanding teaching and learning environment for the University’s students and staff,” Professor Thomas says.

Media Coverage of End of the War?

Our new exhibition End of the War? – the final episode in Chapters of the Great War – opened on Thursday to acclaim from local and national media outlets.

Stuff reporter Amber Woolfe talked to Ashley Mackenzie-White who is the great grandniece of William Arthur Ham was the first New Zealand soldier killed in the First World War. Click here to see their interview.

Ben Irwin of NewsHub interviewed Steve La Hood of Story Inc, who created the seven Chapters of The Great War; and also talked to Jack McDonald, great grandson of Archibald Baxter, a conscientious objector from the First World War; and to Hugo Manson, the son of Cecil Manson, who was in Gallipoli at 19 years of age.

NewsHub in action, Ben Irwin interviews Briar Barry and Steve LaHood of Story Inc. and Hugo Manson and Jack McDonald

Frances Cook and Matt Mitchell of the New Zealand Herald spoke with Miria Pomare, great granddaughter of Māori Member of Parliament Sir Maui Pomare and his influential wife Lady Miria who supported the Māori and Pacific Islands contribution to the war. Their interview is here.

Radio New Zealand reporter Ruth Hill discusses the effect of the First World War on families with Tui Tararo, granddaughter of Private Frank Tararo, a Cook Islander who lost an arm fighting in the Māori battalion. Please click here to read the article.

Radio Waatea interviewed Miria Pomare and Jack McDonald, both of Māori descent.

The final episode in Chapters of the Great War – created by Story Inc and Dusk – is open from 26 July to late November at The Great War Exhibition. To book general admission to the main exhibition, a guided tour, a Quinn’s Post Trench Experience, or a combo ticket for all three, please click here.

The End of the War? Opens Today

The End of the War? our new audio-visual exhibition showcasing the effect of the First World War on New Zealanders opened today. This final episode in Chapters of the Great War – created by Story Inc and Dusk – was conceived as an inter-generational conversation about the war.  The descendants of eight New Zealanders who were involved in the First World War in different ways talk about its impact on their ancestors, and on the generations that followed.

Today, national  media attended the opening and interviewed some of the show participants about their experiences.

Ashley Mackenzie-White, whose great granduncle William Arthur Ham was the first New Zealand soldier killed in the First World War (in the Middle East) is one of the eight descendants who speaks in the show. Here’s short snippet of her contribution.

 

The End of the War? looks at the war-time experiences of men and women, Māori, Pākehā, Pasifika and Asian. The feelings engendered by the war are as varied as the experiences of those who lived it — nurses, ambulance drivers, patriotic supporters, conscientious objectors, wounded soldiers and those killed in action.

Private Frank William Tararo from the Cook Islands served in the Maori battalion and lost an arm. He was the only one of 500 to return to the islands after the war. His granddaughter, Tui Tararo, says, “I have to think about my sons and my daughter. I would probably be the parent that would be standing there saying ‘No, this is not our war.’”

Tui Tararo - the End of the War?
Tui Tararo, Private Frank Tararo’s granddaughter

New Zealand’s most famous conscientious objector, Archibald Baxter was one of four New Zealand pacifists who were physically forced to go to the front. His great-grandson Jack Baxter comments, “I’ve always found ANZAC Day quite challenging growing up… and that’s not because I don’t think that we should be remembering or commemorating World War One — I absolutely think we should be, to learn those lessons.”

 

NewsHub Jack McDonald The End of the War
Jack McDonald is interviewed by NewsHub

Hugo Manson, son of Cecil Manson, who was only 19 years old at Gallipoli, reflects upon his father’s experience. “Not to go, is not to support, or not to be helping, what a lot of other people have no choice being a part of.”

The End of the War?
NewsHub interview Briar Barry and Steve La Hood of StoryInc., and Hugo Manson and Jack McDonald

Māori Member of Parliament Sir Maui Pomare and his influential wife Lady Miria were at the forefront of the Māori and Pacific Islands contribution to the war. Sir Maui was Chairman of the Maori Recruiting Board responsible for recruiting the Māori Battalion, and visited the Cook Islands to recruit the Rarotongan Contingent.  Lady Miria launched the Maori Soldiers’ Fund in 1915, which provided comforts to Māori soldiers overseas.

Miria Pomare talks about the effects of World War One on her family
Miria Pomare talks about the effects of World War One on her family

“I’m sure there were regrets,” her great-granddaughter, Miria Pomare says. “She had a real empathy, as Sir Maui did, with the Waikato people, the Taranaki people — his people — who struggled with the notion of sending their sons to fight a pākehā war on the other side of the world. When those lists of Māori deaths were first released, I think that she and Maui would have felt a very very personal and deep sense of loss.”

The End of The War
Sound Engineer Jeremy Cullen tweaks the sound in the final stages of preparation.

Story Inc.’s blog post about the exhibition is here.

Leading up to commemorations of Armistice Day in November, this exhibition is a reminder that although the Great War ended, its effect on New Zealand society did not.

The End of the War? runs until late November 2018. To book general admission to the main exhibition, a guided tour, a Quinn’s Post Trench Experience, or a combo ticket for all three, please click here.

Behind The Quinn’s Post Trench Experience

Dan King, the project manager and art director behind The Quinn’s Post Trench Experience, spent 18 months on the job, ensuring The Trench was as authentic as possible, so visitors are able to experience what it was like to be in the dangerous trenches of Gallipoli in 1915.

Dan, a Carterton resident,  talks to reporter Steve Rendle of the Wairarapa Times Age  about his experiences, which involved shooting machine guns, weighing wet plaster (to conform to the building’s weight restrictions) and working with Sir Peter Jackson, whose attention to detail enabled the crew to “make this the closest thing to being there.”

For more about this exciting view behind the Quinn’s Post Trench Experience, see the full news article here.

To find out more about The Trench Experience, please click here. To make a booking for The Quinn’s Post Trench Experience, please click here.

Dan King - project manager and art director behind the Quinn's Post Trench Experience
Dan King in The Quinn’s Post Trench Experience, with replicas of boxes used at Gallipoli for explosives and biscuits.

 

 

Opening – Sir Peter Jackson’s Quinn’s Post Trench Experience

The Quinn’s Post Trench Experience officially opened in mid April and we’ve been swept off our feet with visitors keen to experience the sights, sounds and noises of the trenches in Gallipoli (courtesy of Sir Peter Jackson and his creative team at WingNut).

Now that we have a moment to catch our breath, we’d like to share some of our photos and media coverage of The Trench.

The Hon. Grant Robertosn, Peter Parussini (ANZ), Turkish Ambassador His Excellency Ahmet Ergin, The Hon. Ron Mark, Trustee Lt. Gen. (ret) Rhys Jones and Sir Peter Jackson in front of the exit from The Quinn’s Post Trench Experience.

 

Governor General, The Rt Hon Dame Patsy Reddy with Sir Peter Jackson
Chairperson of the National Military Heritage Trust, Dame Fran Wilde, with The Rt Hon Dame Patsy Reddy and Trustee Richard Austin.
His Worship Mayor Justin Lester with General Manager of The Great War Exhibition, Dave Clearwater.
Inside The Trench with actors Jed Brophy and Mark Hadlow, who sometimes undertook 21-hour shoots to capture the footage for The Quinn’s Post Trench Experience. The ‘ghost’ of Lt. Colonel Malone is commanding his troops in the background.
Mark and Jed explore The Trench.
Mark Mitchell of the New Zealand Herald captures footage in the close confines of The Trench.

News links are available here

Actors Jed Brophy and Darren Young join actor and photographer Dean O’Gorman, who has staged realistic new photographs of Passchendaele for his new exhibition Passchendaele – The Elusive Familiarity of War. This exhibition was installed on the day The Trench opened. For more info see this page.